Where are you?
When you read the script, take note of the location of the scene. Knowing the location affects how someone speaks and moves. For example, if you are in a crowded restaurant and someone is arguing with you, you will more likely speak in a hush than openly shout.
Who are you speaking to?
Now let's say the person you are arguing with at the crowded restaurant is your mother. Imagine how you will speak to her. But the way you speak will likely be different if we change the mother to another character like let's say you are talking to your son or a family lawyer.
What is happening?
Take note of why the scene is happening. Did your mother ask to meet you in the restaurant to tell you a piece of unfortunate news? Did you have a good relationship with her growing up? Were you close or distant? When you answer these kinds of possibilities, you are giving your character memories, which may or may not be in the story, but can be very useful for you when you do the scene.
What is your intention?
Now, this is the most important tool you need. In any scene, your character must always have a goal. When you enter the restaurant to meet with your mother who has been distant from you for a long time, what is your goal? Do you intend to reconnect with her? Do you aim to convince her to stay? Does your character want to push her away?
Think of a verb/an action that will summarize your intention for the scene.
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